As noted previously, the proprietor Madame de Boyve loved matchmaking and spent a lot of effort trying to set Lister up with Mr. Franks. But initially, Lester interpreted de Boyve’s attentiveness to her as more personal. Lister recorded that she “seems to have taken a fancy to me” and Lister responded with “something of flattery of manner she is not used to from ladies.” Franks departed with nothing to show for de Boyve’s efforts, after which de Boyve turned toward trying to drive a wedge between Lister and Barlow.
England
Covering topics relating specifically to England or generally to the region equivalent to the modern United Kingdom. Sometimes lazily and inaccurately used generally for the British Isles, especially when articles don’t specifically identify the nationality of authors.
LHMP entry
There were a lot of romantic goings-on at Place Vendôme. As noted previously, de Boyve was an enthusiastic matchmaker, and as will be discussed later, her housekeeper was said to procure less formal arrangements for the male guests.
[Note: Orr uses Lister’s abbreviation “Melle de Sans” for M[ademois]elle de Sans, which had me confused at first that “Melle” was a given name! I’m shorthanding her simply as “de Sans.”]
Apart from Lister’s eventual close relationship with the Barlows (mother and daughter), she also became close with the MacKenzie mother and daughter pair (with whom she exchanged a visit after returning to London later). The two widows befriended Lister and made her part of their daily activities, visiting each other and going out shopping and sightseeing. Lister speculates on the possibility of “attaching” the 16-year-old Miss MacKenzie – an attraction that Mrs. Barlow was aware of and commented on. But the attraction was more of intellectual interest than romantic.
This section opens with several encounters Lister had with figures from (recent) French history that presumably had resonance for her personally in some way. She and Mrs. Barlow visited the prison where Marie Antoinette had been kept. Orr connects this with Marie Antoinette’s homosexual reputation (true or not) and with the fascination she held in that regard in the 19th century. The two also examined the writings of Madame de Sévigné, the famous salonnière known for her intimate female friendships.
This section looks more closely at the interplay between the journal and the correspondence. The two neither duplicate content exactly nor represent entirely distinct content.
This section explores the nature and structure of the Lister’s correspondence. Although the correspondence index in the journal lists the full number of letters sent and received, and some note of their contents, the actual number of surviving letters is much smaller and selective. The nature of the content is also distinct from the journal, even apart from the restriction in which items survive. Letters carefully construct the self that Lister wished to present to the world, as well as managing her social relationships with her correspondents.
As an illustration of how topics were handled, this section opens with “this treadmill business.” As part of her general curiosity about the world, and based on a recommendation by a friend, Lister decided to view and try out the penal treadmill at Clerkenwell prison. Public reaction to this event haunted her for some time.
When focusing on the Paris era, Orr found that existing edited material was deficient. Although Whitbread’s No Priest But Love focused on a similar period, she included less than 1/6 of the journal material for that era. Green cataloged 30 letters from the era, but included only 17 of them. Liddington emphasized the importance of incorporating other documentary material–account books, etc.—for a complete understanding.
In this section, Orr challenges the accepted ideas about the meaning and uses of Lister’s “crypt hand.” Most previous editors have presented excerpts from the diaries that do not clearly distinguish material recorded in cipher from that in ordinary writing. Whitbread notes the crypt hand was used to record Lester’s “intimate” (that is, sexual) life, creating the impression that her sexual and emotional observations were always encrypted and that crypt hand was used only for this purpose.
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