Manion begins by introducing several of the historic figures who will feature in this book: Charles Hamilton in 18th century England, George Wilson in 19th century New York. These are just two of the many individuals collected under the category “female husbands,” who claimed a male role in society including the right to marry a woman.
Legs, as a feature of cross-dressing, are legible primarily in the context of actresses playing male roles. The clothing of the day meant that women’s legs were normally concealed. That meant that, on stage, women’s exposed legs both represented masculinity and were potentially a powerful erotic stimulus. The dramatic fiction that cross-dressing actresses were “men” in their roles gave license for women to find them desirable, as well as for others to deny the same-sex aspect of that desire.
The idea of “modern lesbian identity” and when it can first be identified is a question that has preoccupied many historians in the field. In this article, Vicinus tackles the question. Keep in mind that this article was written in 1992, so it was still rather early in terms of current lesbian history scholarship.
Chapter 4: Lesbian Masculinity: Even Stone Butches Get the Blues
This chapter tackles John Radclyffe Hall and the sexologists’ “invert” as the next archetype. Hall was part of a subculture of “inverts” and their “wives” at a time when sexological theories were becoming familiar to the public. Despite the sexologists’ attempts to identify a unified theory of inversion, there were different models of female masculinity prevalent in same-sex circles. Female inversion (usually accompanied by homosexuality) was the model applied to women similar to Anne Lister: ones with a masculine identification and performance, who desired non-masculine women.
The existence of masculine women throughout the ages challenges assumptions about the nature of masculinity and why the connection between men and masculinity has remained so secure. While some hold that the phenomenon of the “virile woman” is recent, and tied to feminism, or as a sign of the loosening of gender conformity, these positions overlook the history of masculine women. [Note: H says, “a character who has challenged gender systems for at least two centuries”, but of course it’s been happening much longer than that.]
Halberstam takes as a subject the concept of a “masculinity” that is distinct and separate from people born male, comparing it to the long tradition of studying “male femininity” from the Greek kinaidos through early modern molly houses and up to the present. When first written in 1998, similar histories had not been written for women. [Note: I think this is overstating the lack a little bit.] Yet there have been many modes of lesbianism that involved the evocation or claiming of “masculinity.”
Introduction - Clothes Make the Man
The article is centered around a relationship between two women in Japan who planned a double suicide to address what seemed like unresolvable problems in their lives. Both survived the suicide attempt and appear to have continued their relationship more successfully afterward. This study also focuses on the various popular culture and media responses to the suicide attempt, to “love suicides” in general, and to the question of women’s same-sex relationships in Japanese culture.
While the study of homosexuality was developing in Europe in the later 19th century, theories and publications on the topic made their way to Russia, but did not necessarily shape how Russian culture and medical/psychological professionals viewed people in same-sex relationships. Direct evidence about female homosexuality in Russia is scanty, but a collection of three case studies were written up by a Russian gynecologist in 1895, based either on direct contact or on documentary evidence.