In the context of an increased interest in the cultural role of theatrical cross-dressing in the Renaissance through modern times, these authors extend the analysis backward to look at similar themes in medieval theater.
England
Covering topics relating specifically to England or generally to the region equivalent to the modern United Kingdom. Sometimes lazily and inaccurately used generally for the British Isles, especially when articles don’t specifically identify the nationality of authors.
LHMP entry
As a a methodology article, Murray begins with the usual discussion of the problems of data on this topic, in particular the double-whammy by which women's history sidelines homosexuality, and the history of homosexuality sidelines women. Having gotten past the problems of definitions and theory, the article presents a survey of types of historic data on women's affectional, erotic, and sexual relations with each other. The material contrasts with Bennett's survey article (Bennett 2000) in that it focuses more broadly on literature and legal theory rather than specific individuals.
The article begins with a survey of the discussion of, and attitudes toward distinguishing biological sex and gender behaviour in professional literature. Especially in distinguishing transvestism, transexualism, gender non-conformity, and more situational uses of cross-gender behavior. This article focuses more on those situational uses rather than cross-dressing as a feature of gender or sexual identity.
This is a brief little article--barely more than a squib--and falls more in the category of "queering medieval texts than "queer medieval texts". The text "Holy maidenhood ", written by a man, operates from the assumption that all women want to be married to a man and to bear children, and that therefore they must be persuaded to choose the more "holy" option of perpetual virginity.
Like many articles of this era, Bruster begins by explaining that (and why) there is a dearth of academic investigation into the topic of female homoeroticism in [insert topic here]. He asserts that prior work has focused on affirmative and subversive portrayals of female homoeroticism, resulting in an incomplete and idealized picture. So he’s going to be iconoclastic and look at less positive portrayals of female-female eroticism on the stage.
Renaissance philosophy tackled the question of friendship: who is an appropriate friend, what behavior should a friend exhibit, what is the relationship between the love of friends and sexual desire? Given the times, the majority of texts addressing this topic were concerned with friendships between men, though a nod was often given to Sappho as a proponent of female friendships, or to the possibility of “Platonic love” between women, which is given explicit license in the Symposium as well as by Renaissance writers commenting on it, as Agnolo Firenzuola did.
Medical references to sex between women include several on the “rediscovery of the clitoris” theme as well as pseudo-medical explanations for same-sex desire, plus some titillating orientalism. Several of the texts cited here are classical but formed part of the corpus of standard medical literature in the Renaissance.
The introduction notes the extreme variation in how female same-sex relationships were treated, in terms of penalties, liability, and the means and extent of enforcement, including differing legal theories of whether the term “sodomy” could apply. As a generalization, consensual same-sex behavior was least prosecuted in England, while Florence may have regularly prosecuted relations between men but the penalties were relatively light, while in Spain penalties were regularly quite severe including execution, and similarly severe were those recorded in Geneva.
In general, theological texts make no explicit reference to female homoerotic activities, though coverage may be inferred (with varying degrees of confidence) by the inclusion of women in discussions of sodomy or under vague general references to inappropriate sexual behavior. Some authors, when presenting theological discussions of sexuality, include less ambiguous examples, as in the following.
Robinson uses the pornographic L'Academie des dames to explore the portrayal of sex between women and of non-procreative sex in general in the later 17th century. The work is structured as a dialogue between two women: the older, experienced Tullie and her younger cousin Octavie who moves from fiancée to wife in the course at the book. It is a French adaptation of Chorier's Latin Satyra Sotadica which was published two decades earlier.
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