The 18th century English performer Charlotte Charke manipulated gender performance both on stage and off. Charke's performances--whether dramatic, economic, or literary--represented a challenge to gender boundaries of the time and have continued to stand as a challenge to historians engaging with Charke's person and performances. Was Charke's off-stage performance as "Mr. Brown" simple economic necessity? Was it a reflection of transgender identity? Was it a strategem to engage in homoerotic encounters with women?